Growth
Posted August 20th, 2012 by Meredith
by Mike Kane
The irony of this is that it was a failure, not a monster success, which allowed me to realize this.
Let me bury the lead no longer: I bombed.
Maybe “bomb” is not an accurate description, but I was super disappointed with my performance.
I should set this up so I don’t sound like a wackadoo (oh, who are we kidding?).
I told a story the other night at SpeakeasyDC’s Second Tuesday. If you read any of my previous entries, you know I wasn’t feeling good about it. I found out that morning that I would be going first after the host’s story. I always like going first. Get it out of the way and hopefully you can actually recognize that there’s a show going on afterward.
The show began and the host introduced me the same way she always does (“does anyone here read the Speakeasy blog?” I wait for the deafening roar of chirping crickets to fade before launching into my story) and then I began.
Less than 45 seconds in, I went for my first big joke. I nailed it… and I got nothing. And yet, because of the way I rehearsed it and the cadence of the story, I paused and waited for the non-existent laughter to settle. And it threw me. Bad.
I don’t feel like I ever really got it back after that. I finished the story, but not in the Speakeasy 7. At seven minutes they dinged the timer bell telling me to wrap this thing up. I finished just at the 7:30 mark (the bell rang again right on my last line).
I hadn’t even gotten off stage and I was instantly depressed. Instantly. Before the host even got up to introduce the next storyteller, I already knew I would be spending Wednesday in my bathrobe eating cool whip from the tub. Seriously, think Bridget Jones with a beard and no diary; that’s my Hump-Day, readers.
Then the emcee actually did get up there (I’m making a b-line for the bar at this point) and she said something about my performance. Something playful and innocuous, I’m sure, but in my head I hear, “Hey guys, sorry about that. But listen, we’ve got some great storytellers tonight; don’t give up on us yet.”
I had one drink. Even though I went first, I still missed the following storytellers’ stories because I was obsessively replaying my failure in my head. I left at intermission (which I never do), went home and watched the video of my performance approximately 246 times in a row, scrutinizing over each second of it.
Right now, you’re like, “so, this all sounds like the opposite of growing.”
Yeah, it does. But as I was lying in bed, thinking about the night, the disappointment suddenly disappeared. Literally vanished. And listen, it wasn’t replaced by happiness, or satisfaction, or even contentment. But I was overcome with a sense of ease. A feeling void of worry. I was able to shrug the whole night off before I went to bed. I actually had that thought, “hey, we’ll get the next one.”
How grown up is that??!!
The last time I had a truly horrible performance, I didn’t get back on stage for almost eight months.
I didn’t stay home from work on Wednesday like I thought I would. I did treat myself to some Fro-Yo because I will always be the dude-version of Bridget Jones, but at least it was out in public with clothes on.
But best of all, I went back out Wednesday night, got back on stage, and told another story…
Like a grown-ass man.
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8 Responses to "Growth"
You definitely did NOT bomb, Mike. But thank you for being willing to talk about this with all of the people who read your column. Every performer has an experience of feeling like they bombed, whether they did or not, but the performers perception is almost more important than the reality, and the fact that you could process it, move on, and get back on the stage the next night (where I heard you killed it!) is great. And great advice for other performers who go through the same thing. This is exactly the kind of thing I wanted for this blog
I’m very surprised to hear that you think you bombed. I almost left after your story because I was horrified that I would have to share the stage with someone that good. KFYS 4EVA!
I don’t think you bombed either(!), but I also appreciate the post.
I’m surprised you feel that way, Mike. I loved it. You know I wouldn’t say that if I didn’t mean it. It was a hard story to get down to 7 minutes and I thought you did it well. You had great energy and flow and you packed in a lot of stuff without it seeming rushed while still nailing an arc. It may not be everything you want that story to be — b/c it’s a bigger story — but it was still great and outshined most. Your bar is awfully high. I hope you don’t shelve that story. I really love it.
“I’ve grown as a performer.” Isn’t this what’s really important?
Yeah. Not sure, Meredith, if the performer’s perception is more important, but it sure feels like the reality at the time. But this is why I love it when people comment (@meredith, @cara, @mamaliciousindc, @amy, and @ellouise) on the blog; the added perspectives make the experience all that more layered.
Thanks to everyone for reading.
You bombed just for the purposes of this blog, didn’t you?
Of course your bar is significantly higher than the average audience member’s. Anyone who reads your blog AND sees your performance knows that. And I agree with Mer that it’s how important you feel you did that is important, unless of course you’re up there trying to win an Emmy. Then, it kinda matters what other people think. Or if you really do objectively bomb, which I really believe you know you didn’t. But if you don’t have high standards for yourself, why bother rehearsing?
I’m glad you’ve grown. I look forward to the newer, taller Mike Kane next time.
Wait–you watched Bridget Jones? You? I go out of town for one week and the theatrical cracks appear. That IS growth. Next up – Downton Abbey!